Hard ball Hardball has variously been comp ared to The Bad News Bears and The decently Ducks, but this film strives to be more than hard-hitting than both of those family-friendly, comedic efforts. A more apropos likening might be to Dangerous Minds, the flaccid, Hollywood-ized yarn of a teacher who makes a struggle to her underprivileged students. Hardball is most a reluctant baseball baby buggy who changes the lives of his pre-teen players even as they change his perspective on his have existence. The movie is on occasion trite, often formulaic, and frequently familiar. Surprisingly, however, at that place are times when Hardball displays many real heart, and that keeps it from cosmos a complete waste of time. Keanu Reeves plays Conor ONeill, a gambling solicit who is up to his neck in debt and hopeless for a track out. A high-roller friend of his (Mike McGlone) offers him a secondary source of income - he will pay Conor $500 per hebdomad to coach a baseball team of children living in Chicagos projects. A dreaded but unenthusiastic Conor agrees. At first, his turn up to instruct is perfunctory, but, as he grows to know his charges, he becomes arouse in doing what he can for them.

His apparently genuine enliven in his eleven team members attracts the attention of the kids English teacher, Elizabeth Wilkes (Diane Lane), who finds herself worn-out to Conor, stark(a) edges and all. Hardball is a sea of underdeveloped p dowery elements. Theres a lot of rich material here, but director Brian Robbins uses it as mise en scene color. Take Conors gambling problems, for exampl e - these are except a plot device by which! he ends up coaching job the kids. When theyre no longer necessary to the story, the screenplay comes up with a look to quickly and effectively remove them. Then there are the... If you want to get a full essay, tell isolated it on our website:
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