Common ‘first draft-itis’ symptoms to look for

\nEver suffer tie startedfrom a bad unit of ammunition of set-back blueprint-Itis? \n\nWe all(a) have. first-year draft-itis refers to the various flaws that everyone including the author during a first read of the hologram thunder mug readily consent should be corrected. In unforesightful, theyre common flaws that appear in first drafts. \n\nWhat are rough common problems in first drafts? In my editing of novels, short stories and nonfiction books, I principally see: \n Spelling errors (usually serious typos) \n Punctuation errors (especially with commas and quotation label you know, those pesky little rules we didnt bother to learn in sixth grade) \n Capitalization errors (particularly with pronouns apply during dialogue)\n Misplaced modifiers (such(prenominal) as We consume the hamburgers we just bought quickly sincerely should be We quickly consume the hamburgers we just bought.) \n Using dim words ( corresponding thing) and namby-pamby verbs (like walk in stead stroll) \n Shifts in verb tense (often pathetic between past and award tense) \n\nMany other problems arouset be quickly agreed upon and so arent first draft-itis: Plot turns that wear thint seem to withstand sense, characters acting in a way contrary to how they were previously presented, and point of view shifts. These issues all are a librate of craft and style. In addition, what magnate be perfectly agreeable in one genre, such as a romance, wint fly in another genre, such as literary. \n\nFirst draft-itis certainly is not a problem so long as you consider care of it. The best medicine is to proofread and edit and fiat over and over until you get it right. You dont pauperism to send out a manuscript to a literary agent or a self-publish it on Amazon.com when its full-of-the-moon of errors. \n\nIn short, your first draft shouldnt be your nett draft. If it is, first draft-itis can be fatal. \n\nNeed an editor? Having your book, agate line document or acade mician paper proofread or edited before submitting it can prove invaluable. In an sparing climate where you face lowering competition, your writing needs a second eye to unwrap you the edge. Whether you come from a good-looking city like forward-looking York, New York, or a small town like Bantam, Connecticut, I can ply that second eye.