Wednesday, February 6, 2019
The Grifters :: English Literature Essays
The GriftersSymbolism in The Grifters The Novel and Film of The Grifters had many uses of symbolism, load-bearing(a) the theme of sexual corruption, and the fall of the three main characters craft of the grift. In the novel, symbolism was tougher to pick out. However, the descriptions of the characters created symbolic visualizations of their personalities and human nature. The require had more self-explanatory uses of symbolism through the choice of womens clothes, the characters actions, and their language. In the film, symbolism was everywhere. In the beginning of the film, the pictures of the city were in black and dust coat and dull shades, giving the city a gloomy look. The camera angles make the cars in the city appear tiny, and the buildings appear very large to hold still for how small everything was amongst the city. The interiors of the office buildings and the panic symbolized that there was no way out. The soundtrack of the film was symbolic to the tension of the fi lm. The darkness of visual composition of the lighting in the film, symbolized the darkness of the human nature in the story. Roys character as a conman is revealed early in the story when he was puking subsequently the blow to his stomach due to an unsuccessful con job. In the novel, he told the cop that he was just sick symbolizing that he was a manipulator, and was used to lying. In the beginning of the film, Roy answered to the cop with, some bad half-pint, which was extremely ironic to me because it symbolized that something was a bit fishy about Roys character. In the film, Roy hid his money behind clown paintings, which symbolized the joke of his grift. The irony was that he took his grift so seriously. In establishing Lillys character, the author of the novel used the line, Roy danced somewhat her in helpless rage, which to me symbolizes her dominance. Moira was compared to a kitty early on in the novel, which symbolized her feistiness. The film showed the hotel elevator descending to symbolize Moira going to Hell. At the confining of the story in both the novel and the film, Lily wore Moiras red suffice after killing her symbolizing the blood of both their deaths. The women themselves were symbols of excitement empowered by their sexuality. A minor character in the film and a more prominent character in the novel was Nurse Carol.
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