Comparing blake’s london and wordsworths unpon west minster bridge Essay

How do the poets pulmonary tuberculosis Structure, language and form in the devil poems to help present their visions of cracking of the United Kingdom?William Blakes London 1793 and William Wordsworths Composed upon Westminster Bridge 1802 stage two contrasting views of London. Having both been indite in the Romantic period, the two poets exercise their personal experience of London to illustrate the different visions of the urban center. Wordsworth adopted the Petrarchan pattern (abba abba cdcdcd) to create his f imprinting sonnet that describes the silent, undying beauty of London the intimacy with his description could be shake by classical poets such as Horaz, Virgil and Ovid. Blake however hardened to use a more(prenominal) than harsh approach, delivering his dramatic reality of the dejected urban center. The two poems hold an expressive passion through and through knocked out(p) and both have a deeper inner meaning than whats seen at surface value.At a first glance, these two poems seem the complete opposite. One compliments the graphic beauty of London whilst the other only states the traumatic situations faced through a sinister, dark city. This style could have been inspired by Blakes surrounding of the French revolution which was imminent over London, theres a possibility that the murder and violence could have encouraged Blake to birth his reality of the capital in the 18th century. Despite the obvious differences, the techniques and history set out by both poets are similar. Both Blake and Wordsworth chose to accentuate their visions of London by victimization some sort of rhyming organisation and iambs to manipulate the sounds and rhythm.Wordsworths undoubted admiration of London is expressed through his uniform use of elegant praises. He masters a faint use of a strange paradox through the first lines saying undercoat has nothing more fair which exemplifies a tranquil, natural beauty, undisturbed by the obvious industrial city. T he paradox having been established at the beginning of the octave stating the impossible unity of both a natural beauty and industrial development is explained towards the end through the line, like a garment, wear. This reveals that the city is wearing the natural beauty of the morning sort of than being it. This morphologic technique continues in his next lines completing his paradoxical figure of speech. The fact that the city is bare relates back to the first contradiction by suggesting that London wears the smoke-free air that is the fair beauty. Wordsworth uses the petrarchan pattern to compliment the image of the uninterrupted London.The poets sensation filled description of a motionless London implies that he rather prefers a non-industrializing, natural capital compared to the 19th centuries bustling metropolis. In his sextet (cdcdcd) the poet emphasizes the connection of whole poem has and how it coheres well together. He does this by using the sestet- steep, deep, a sleep- to draw attention to that fact that the city is invalid in the instruction that the commerce of London has not yet awaken but is asleep. He keeps this in mind whilst still stating that the fact of the matter is, the city is more alive through its natural presence. The way he describes the river glideth at his testify sweet will gives the reader a sense of undisturbed exemption and also relates to the poets overflowing, relentless and poignant description.Wordsworth creates a more flattering image of London when he explains how the sun has lightened it perfectly, Never did the sun more attractively steep.The line in his first splendour, makes the poet appear to be referring to divinity through his supposedly absent minded mention of his but hes not because previously he mentioned that the never had the sun more beautifully steep.This makes sense as the root of the sun steeping gracefully over London ties in with the poems overall goal to exploit the capital as some sort of wonderful place however the gaga image of the originator who created valley, rock, or hill formulate the idea that Wordsworth is talking about god as having the first insight into the capital and how it hasnt changed through his eyes, looking past the ships, towers, domes, theatres and temples. Thus creating a more conversational style of writing however there is the fact that this poem was write in the 19th century where everyone would have believed in god. This idea could be the underlining of the word sun.I believe that Wordsworths restore adopted style is smooth and poetic, he holds a passion for the topics he chooses to write about which flatter his nature inspired manner. Other poems by Wordsworth which support my supposition are I wander lonely as a cloud and Three years she grew in Sun and shower.In the 4th stanza the tone of the poem suddenly changes into an ominous low mood with a lingering and menacing spell. The word most has a lasting significance in the line as it institutes the fact that harlotry is causing this wild midnight rush. The changed tone of the poem and the imagery created in this stanza stands out as a dramatic close the blatantly sorrow-filled poem. Adding to the sharpness of the bitterly ending, the tone that is usually poetic with a bouncy rhythm has stop delivering the full force of what Blake calls reality.